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  1. #1
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    A new photography gig

    I have been lucky to pick up a photo op that pays a little money.....a friend of mine (Charles Whitfill) has been making guitars for a few years now and has become quite successful at producing instruments that replicate vintage guitars. There is a strong market for this because true vintage guitars are so highly sought after they are unaffordable to most people. Anyway....I have been hired to produce photos that are being used to sell his instruments. He is selling through a consortium of custom guitars builders in North Carolina. I am including a link.

    I used the 1DX, 17-40mm f/4 lens and a camera mounted 580EXII bounced off the ceiling

    I would like to see what others think of the images.

    Thanks for looking.

    http://www.destroyallguitars.com/guitars/266-whitfill

  2. #2
    Administrator Sean Setters's Avatar
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    Joel,

    I think a multiple light setup might be more advantageous to making the guitars look their best. Maybe move the guitar away from the black background and then using rim lights for separation?

    One major issue I see has to do with the post processing. Check out the very jagged (and partially missing) tuning knobs:
    http://www.destroyallguitars.com/ima...Seafoam-05.jpg

    It looks like the same problem extends to parts of the wood grain, too.

    Sean

  3. #3
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    Yeah....I am considering getting a 60 inch light tent. It has been hard to clean up the background just laying the guitars on a black sheet. Thanks Sean!

  4. #4
    Administrator Sean Setters's Avatar
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    You might be interested in this Flickr Strobist Group thread: How to light a guitar for a professional look?

    Note how flickr member Ignats uses a frosted vinyl shower curtain to get pretty decent results. I'm not sure how glossy Charles's guitars are, but a very large light source positioned relatively close may help.

  5. #5
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    One other challenge....I have to take the images in his shop which is lit by rows of bare fluorescent bulbs

    I am thinking of this:

    http://www.amazon.com/Square-Perfect...nch+light+tent

  6. #6
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    Quote Originally Posted by Joel Eade View Post
    One other challenge....I have to take the images in his shop
    Mind if I ask why?

    Quote Originally Posted by Joel Eade View Post
    which is lit by rows of bare fluorescent bulbs
    No it isn't. Turn them off and BYOL (bring your own light).
    We're a Canon/Profoto family: five cameras, sixteen lenses, fifteen Profoto lights, too many modifiers.

  7. #7
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    Quote Originally Posted by peety3 View Post
    Mind if I ask why?
    They are custom ordered and quite valuable. He wants to take no chances.


    No it isn't. Turn them off and BYOL (bring your own light).
    That is my plan

  8. #8
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    Thanks....His guitars are not glossy, they look 60 years old with nitrocellulose finish. I think your idea of multiple lights and maybe a rim light is a good one.

  9. #9
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    Thanks JRW....I agree with your idea about separating the guitar from the background. I was trying to avoid shadows and reflections purposely in order for the viewer to see the fine detail in the finish of the wood and metal parts.

  10. #10
    Senior Member Jayson's Avatar
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    I wouldn't go light tent route. I have one of those and it works well for jewelry and little things, but unless you have a lot of lights, you aren't going to get the lighting you want to make it work in the tent. I assume your client has stands for the guitars. I would use those when possible.

    What do you have for lights? What are you using for a background? Diffusers? If you provide some specifics of what your shooting with we might be able to give you some ideas using what you have to make them pop. The suggestions are already pretty good, but I think they can be fine tuned knowing what your working with.

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