Christina in the Field

[Sean Setters]

Every day I pass by a beautiful uncut field on my way to and back from work. I've been thinking that it'd be a great place to shoot, but it didn't come together until Wednesday. If you want to see more from the series, check out my flickr stream.


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Relatively simple strobist setup: 1 Vivitar 285HV, camera right, full power, shot through a white umbrella, triggered via Cybersyncs. Sun provides rim lighting.


Canon 50D, 70-200mm f/2.8 L IS, B&W Circular Polarizer, f/3.2 1/250sec ISO 100


I had intended on using the CPL to enhance the colors, but the sun was positioned directly behind her so there wasn't much of a polarizing effect. It did act as a bit of an ND filter to allow me a shallower depth of field at 1/250 sec. I didn't like the really warm white balance at Kelvin 5500 (daylight), so I opted for a cooler 4900 (if I remember correctly). I liked the more muted tones giving the image a less vivid, more dreamlike quality.

[Daniel Browning]

Beautiful! Reminds me of "300", the movie.

[alexniedra]

Great shot, Sean!


Great colours, composition, lighting setup... I'm liking it[]

[Jon Ruyle]

Very nice, Sean. It doesn't remind me of 300 the movie (you'd have to chop off the model's head or stab her with a greatsword for that, unless I'm thinking of a different 300 movie).


The lighting & composition are great.

[Alan]

Sean, since your subject was backlit, would you have gotten a similar light on her if you just used a large silver reflector, rather than an umbrella/flash?

[Sean Setters]

To Alan-


Technically, yes, I could have gotten similar results using a reflector. However, using a reflector brings on a couple of problems. First, how to position the reflector to provide light that points downward (a natural looking light) means I need not only a stand but a boom arm and clamps to hold everything in place. Of course, that's not all that hard. But second, the light from a reflector tends to blind the subject. Of course, with this pose that wouldn't be much of an issue. But we did many poses in the series, some where she was looking at or near the light source. The thing I like about using strobes is that they only light up for a split second, not long enough to cause the squinting that you sometimes get with reflectors. In my personal experience, reflectors are best used with strobes to provide fill--not used as a primary light by themselves.


As far as 300 goes...I don't know. It does remind me of a scene in Gladiator where the main character walks through a wheat field with while grazing the top of the wheat with his hands. She's a little easier on the eyes than he was, though... :-)

[Madison]

I'm not a fan of this lighting to be honest. The picture looks 'flat'. And the girl is almost grey-ish here and there.


I don't mind postprocessing and stylising (at all) nor am I a good photographer so I do not mean this in a bad way but this is not an image that appeals to me much, if I may be honest. (Sorry!!!!).

[Jon Ruyle]

The picture looks 'flat'.

To balance Madison's point of view (and with respect intended), I'll mention that I forgot to say earlier that I actually thought the picture had a nice sense of depth due to the strip of in focus grass (with blurred background and foreground). I quite like the effect.


We all see things differently, it seems. They say that's a good thing. []

[Sean Setters]

In regard to Madison's comments, I welcome the criticism (even though this wasn't posted in the "Image Critique" section). When I read the post, I thought Madison was referring to the lighting being flat (almost likethe light you'd get from an on-camera flash).But I wasn't sure. Maybe your interpretation is of the statement is more correct, Jon...My choice of a relatively thin depth of field was motivated by the technical challenge it presents as well as my own creativity. With abundant daylight, it's very difficult to use off-camera flash with wide apertures as you quickly reach your max flash sync speed. The CPL acted like an ND filter blocking some light hitting the sensor, and the use of the 70-200mm lens magnified the ability to blur the foreground and background (even though I used it much closer to 70mm than 200mm). However,using a telephoto lensdoes tend to compress the scene a bit. Maybe that's what Madison means by "flat."


As far as the girl being grey-ish, again, I honestly don't know. I am colorblind. I am quite limited in my color balancing because of it. The flash itself is balanced to daylight (roughly), so there shouldn't be too much of a (colorcast) difference there. However, as I said, I personally didn't like the picture balanced to 5500 Kelvin so I opted for a cooler white balance. I liked it muted rather than vivid. The way it looks to me is quite different than it looks to most people, I'm sure. It wouldn't be the first time I've missed the mark, but I generally get in the ballpark. At least one person on flickr commented on how he wished for more saturation and contrast in the scene..but others disagreed. It might just be a matter of personal taste...or it mightbe that Ireally do need to use a gray card on every shoot! :-)

[Madison]

I should have elaborated more. Yes I meant in terms of lighting. Depth of field is also very narrow but it is an artistic choice. Not one I am particularly fond of in this image either but it does all come down to taste, not to excellence. There is no 'truth' in my remarks.


I apologise for posting critique. I overlooked the fact that it was Show & Tell. Oops.


That said, with lighting this flat and this grey you lose detail, and (local) depth and shadow. The girl's skin on her arms looks unhealthy and she as a subject lacks any good shadows or roundness or 3d-stuff. God it is SO hard explaining this in a language that is not my own. You know what I mean right? It' like you light a woman's breasts one way they look round, light them another way and they look flat. So to speak.


That, in terms with the lack of colour, sucks the life out of this picture for me.


Then again I am not a very good photographer myself so this would be an excellent moment for me to shut up again since I am doing critique when I shoudn't have because of the section of the forum. Once again: my sincerest apologies. I've seen some of your other work and that I did like! []