All I can say so far is this lens lives up to its many reviews. I own several L lenses and the build quality of this one is superb.
Tom
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All I can say so far is this lens lives up to its many reviews. I own several L lenses and the build quality of this one is superb.
Tom
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Here are two from the wide end.
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Originally Posted by bouwy
#1 1/40sec, f/11, ISO 400, f/l 35mm
#2 1/60sec, f/16, ISO 400, f/l 16mm
#3 1/250sec, f/4, ISO 100, f/l 16mm
Thanks,
Tom
Great quality Tom. What were the settings you used?
I am currently looking at the EF 17-40mm f/4L USM. It fits a little better in my current budget to go wide on my 5D II. I do not know how much more IQ difference I would see, but I realize the EF 16-35 f/2.8L USM is better.
Chris
Originally Posted by Chris White
Not necessarily. I owned the 17-40 but sold it. Sharpness between the two lenses is the same. Color and contrast were a bit high for my taste on the 17-40, but it could have been just my copy too. I occasionally shoot weddings and since I also own the 24-105 at f/4 I needed a faster wide angle. For most of my wedding shots I was using the ef-s 17-55 f/2.8 on a 40D and it was fine. But I went FF and got a 5D and sold all my ef-s lenses. 5d for low light indoor church shots where flash is forbidden is awesome. I still use the 40D for my sons hockey games with the 70-200 f/2.8L IS. I find this to be a very good combination for what I shoot. If the 17-40 is in your budget get it as you can't go wrong. It is a fine lens. Unless of course you need to shoot indoors under poor lighting conditions.
Originally Posted by Tom Wertman
Was that on a FF or a 1.6, based on my research the 16-35mm II is pretty much the same in the center but noticebly better in the corners mostly at wider apertures. But sample variation can makea big differance too.
John.
Originally Posted by Fast Glass
Are you asking about sharpness or light fall off?
Tom
Sharpness.Especially in the extreme corners that not even Bryan's crops go.
John.
Tom,
Originally Posted by Tom Wertman
Thank you. Color and contrast are easily corrected for me either with a camera adjustment or DDP after the shot.
Originally Posted by Tom Wertman
I have the 17-55 for my 50D as well as the 24-70 f/2.8L and the 70-200 f/2.8L IS so I have indoor/low light pretty well covered. I think I am acquiring a pretty sweet glass collection and I am very happy with my bodies with the addition of the 5D II. I am looking for something wider for landscapes and tripod use. Before the addition of the 5D II I was looking at the EF-S 10-22. However, with the addition of the 5D II it seems foolish to me to not get the glass to use that beautiful full frame CMOS sensor. Add in that the 17-40 actually costs a little less and comes with the hood and is L glass, it is a "no-brainer".
As soon as I get the cost covered -- it will be soon -- I will order the 17-40.
Chris