Haha...yeah....the problem, that is MF!
My fault as I called it AFMA. Really, it is focus screen adjustment. All MF. No AF. But if the path to the focus screen is different than the path to the film, the focus even via MF will be off. So Mamiya has these 3 little screws where you can adjust the height of the focus screen.
Really, it pretty cool. That said, huge win (IMO) for digital where you can focus on the actual image plane.
And, actually, getting back to all the scanning of old photos I am doing. It really does highlight to me, capturing memories, many things are not critical. But, wow, do the images of my family when they were young that were in focus stand out from all the images that are soft or outright oof.
Getting back to the resolution of film discussion for a second. I am putting it on hold for a bit as I want to see some more actual images that I've taken. Bottom line is that I am seeing arguments made that are all over the place, literally FF equivalents to 16 MP, 22 MP, 80 MP, and even HIGHER (usually made by film aficionados). And, I was only curious. This wasn't a burning question for me.
But, a couple of takeaways:
- Until I do my own testing, I am thinking the 16-22 MP is likely the "film" resolution equivalent.
- The resolution of film may not be as direct as digital. If nothing else, you have the silver halide crystals that will affect tonality that are sub-micron in size (and highly variable), smaller than current digital pixels. For color "dye clouds" are similar size to larger than current digital pixels. And then you have layers of each (seems 6 to 9 layers was typical with higher grade film having more layers). Taking a step back, it may not lend itself to resolution tests using high contrast ISO charts.
- Film stock has been improving (Fig 15 in the link). One of those obvious things but trying to take data that is decades old may not be representative of "modern" film. And many of the comparisons I am reading are a decade, or more, old.
- Lenses have improved. People, especially a decade ago, keep putting a heavy penalty on resolution because of the lens quality. But...over the last decade lenses have improved immensely. One could argue that this illustrates that digital is higher resolution as lenses did not need to be higher quality with film. But I wonder if this goes back to my first bullet. At the micron level, film's strength may not be resolving high ISO test charts. But, digital, excels in that department.
So, I have some rolls of film. I'll shoot them. We can already see a bit of a difference on the "A". Let's see. That sounds like more fun than reading more of these articles.