Originally Posted by Sean Setters
I second this suggestion. I rented a 5D to complement my 1D Mark III. The controls are more similar than the differences between a Rebel and a non-Rebel, but it was still a royal challenge to adapt. I shot a 3.5-day cycling event as prep for a 2.5-day cycling event that was my reason for renting, and still didn't feel smooth. Two weeks later, I rented another 1D Mark III and felt completely at home.
One of the struggles while I had the 5D was "which lens on which body" - my main lenses for both events were the 16-35/2.8, 24-70/2.8, and 70-200/2.8IS. I'd find myself using the 5D/16-35 and 1D3/24-70, and then feel like I should switch to 5D/24-70 and 1D3/70-200, and have to do lens changes in the right order to make it flow well (or have a big party on the ground!). On the final day, I wanted to shoot some HDR-ready brackets, and found that I used the 1D3 for shooting (it'll do 7-shot brackets) and the 5D for carrying another lens around - yuck.
(Meanwhile, my girlfriend was using her 40D, a rented 50D, and my "backup" Rebel XTi. She hated the Rebel, and it pretty much became a carrier for the third lens she wasn't using - which was 10-22, 24-105, and 70-200/4IS. She blew some flash shots because the Rebel doesn't have safety shift - she isn't strong at exposure settings and wasn't staying below x-sync speed. We've decided the Rebel is soon on the chopping block because it's so different.)




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