The raw files have the exact same dynamic range and SNR, so if it's really any better it can only be due to issues with the raw converter, such as the problem mentioned above with DPP. Another example would be if the raw converter didn't have a good exposure compensation tool, like Adobe.Originally Posted by Chuck Lee
His read noise plots are fine, but they only account for Noise, not Signal. (By "signal", I'm referring to light, not the average level of the read noise.) ISO 160 only looks like less noise than ISO 200 because of a digital -0.33 EC. If Signal stayed the same, then ISO 160 would truly be better. But Signal doesn't stay the same: it goes down -0.33 with the noise, so the SNR stays the same.Originally Posted by Chuck Lee
Agreed.Originally Posted by Chuck Lee
I'll post a demonstration.Originally Posted by Chuck Lee
A 1/3 stop difference in read noise is pretty hard to detect. Most of my shots aren't even within 1/3 of my ideal exposure, there just isn't time to get it perfect.Originally Posted by Chuck Lee
The combing is fine if you have a bunch of extra (wasted) bits. It would only be harmful if Canon was doing like Sony or Nikon and building them with just the perfect amount of precision.Originally Posted by Chuck Lee
Ruevski's chart correctly shows that the read noise in ADU is lower, but what really matters is SNR, and that is not improved over ISO 100 (in fact it's 1/3 stop worse).Originally Posted by Chuck Lee
In this case, ISO 100 provides both.Originally Posted by Chuck Lee




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