How far back for studio and prom/Spring Dance?

[HiFiGuy1]

Keith,


Thank you for the reply. It seems like I'm coming up with that same data empirically. As I originally posted, I am at 24mm on my 17-40 when I get the framing I think I want with my 40D. It sort of makes me think I should get the 24mm f/1.4, because I know it is a terrific lens and very sharp, with a very shallow minimum DOF. OTOH, I am kind of scared to get a prime, because it isn't as flexible, but it certainly seems like a 24mm would be exactly what I need in this case. Of course, as composition changes, I'd like the option of re-framing without changing lenses, so that puts me back onto the 24-70. If I had unlimited funds, I'd get both, but I need to be careful until I start bringing in income from this.

[Keith B]

The 24-70 is a really good option. It is really sharp and just about any Annie Leibovitz shot (in lsat few years) is shot with it.


Don't fear the prime though. I loved the 24 1.4L on my 40D. I missed the 1.4 a 2.8 lens in no where near. The sharp images and buttery bokeh you get will make you giggle every time you open up the shot on you screen. It is very liberating to have a fast prime in you kit.