I've just begin reading the article : very, very interesting.
Yeah, I think it's useful knowing how to control that point (photography, but also business meetings, and everyday life in fact)
Originally Posted by Sheiky
Dog sled. It was the first time I covered the Grande Odyssee this year in Megeve, France, and running in the snow to get from one point to the other (knowing it's a one way circuit, they don't pass X times again). I train a lot (running and fit) but in that case, with rangers boots and gear, I was kinda shaky arrived at the shooting point. Even though both lenses had IS, I missed a lot (or a lot was far from perfect according to what I wanted)
Ok, it's not the everyday shooting place, but if you're asked to cover a competition, you need to do it right (or the best you can).
In that case that stop-and-run thing showed me that I needed to work this a bit out.
I understand it's a very personal problem to manage, and most photographer don't have it.
Thanks anyway Jan




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