Quote Originally Posted by andnowimbroke
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Edit: skip what I typed and listen to the other dude. I must type slower than I thought.



And here I was thinking..."wait a minute!! I don't think that I'm that bad!!" haha []


Quote Originally Posted by davideglasgow


Although I think using off-camera flash could be involved for this amateur.

It's "off-camera", but technically exactly the same as having it on camera because it's connected via the TTL cord. So the only difference is that you will be holding it out left and high with your left arm and the camera in your right hand. The direction of the light is the only thing that changes.


The difficult part is the initial settings. You are compensating your popup flash to be about 1-2 stops below whatever your 430exII decides to be proper lighting. For details on that, reading the manual would probably be a good place to start.


Quote Originally Posted by davideglasgow


I should have added...what do professionals do? You always see photographers at evens with high ceilings (awards shows, wedding receptions, etc.) or no ceilings at all (red carpets, sporting events) that have their flashes mounted on-camera. I assume these pictures must come out looking great. Or do they just live with the direct flash look?

I'm only speculating here, but Award shows and Sporting events are typically well lit as is. So I'd think the flash is used more for fill than as key (specular highlights are relatively non-existant when used as fill). If it is used as key it may be more along the lines of "Mediocre photos, rather than No photos at all" (not always).
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