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Thread: Tax returns and off camera lighting

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  1. #13
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    Quote Originally Posted by Sean Setters View Post

    Of course, monolights aren't for everyone; they're generally more time consuming to set up, they require pure sine wave inverters and a large battery source, and they are indeed bulkier to haul around. However, they provide me with the freedom to be as creative as I wish without being incumbered with the limitations of a speedlight's power. There are also more modifiers specifically made for monolights than for speedlights (although a plethera have emerged within the last few years).
    For now, that's a big part of the appeal of going speedlites, for me. Mobility. I haven't talked anyone into being my very own "voice activated lightstands", so for me light in a small package is very useful.

    Quote Originally Posted by Sean Setters View Post

    Also, you may want to look at smaller light modifiers too. When you start down the strobist journey, there's a tendency to go as big as you can with your light modifiers (here's proof of that). However, when it comes to small flashes, I often grab my 15" collapsible softbox. It can be fairly soft depending on how close it is to the subject, but it's more often just a bit punchier--and it's a nice change from the creamy soft gradients afforded us by larger modifiers. There are also plenty of other sizes and cheaper versions on Ebay.
    HAHA! That thing is INSANE Sean. Any example photos taken with it? Also, any recommendations as far as smaller modifiers go? Was looking at possibly a strip light or beauty dish? I saw Wescott also makes a 28" Apollo softbox, but like their other stuff you have to buy the kit and that includes a stand, making it more expensive.

    Quote Originally Posted by Mark Elberson View Post
    www.robgalbraith.com says there's about <= 0.5 stops difference between the 430EX II and 580EX II

    Read this blog post by "Strobist" Q&A: Controlling the Sun When Using Flash - A Comparative Guide. It may change how you think about shallow DoF in bright sunlight.

    For me, the ability to change power settings from the camera via the AC3 controller is worth the total ($$$$$) expense of the PocketWizard Flex system. If setting the power at the flash is not as big of a deal then I would highly recommend CyberSyncs from Paul C. Buff. They are moderately priced and highly reliable.
    Mark, Thanks for the reply. So are you using speedlites still, then? Any reason why you haven't gone to mono lights or studio strobes?

    The PW Flex system seems like it's totally worth it to me, that purchase I'm completely set on. Also, based on that link, I think I'm set on the 430's now. Maybe some eneloop batteries (any other cheaper/better suggestions there?)
    Last edited by Rocco; 01-08-2012 at 06:29 AM.

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