Originally Posted by Daniel Browning
Have you at least tried out the 16-35 II? Not as sharp or as fast as a prime but a versatile dream if you like wides. I love being able to go from mild-wide 35 to über-wide 16.
Originally Posted by Daniel Browning
Have you at least tried out the 16-35 II? Not as sharp or as fast as a prime but a versatile dream if you like wides. I love being able to go from mild-wide 35 to über-wide 16.
Originally Posted by Keith B
I've only played around with it a few times. I find that it's very difficult to get good compositions wider than 24mm. There's just too much background.
For personal stuff the wide end is usually just for fun. I get to shoot normal and then throw in a exaggerated angle just for something different.
It actually works really well for me for my paid gig. I shoot a lot of restaurants. 16 will let me get the whole place or I can use it to exaggerate lines to give give a place a larger appearance. Then I can zip in to 35 get real close to dishes of food, pull in some background. I usually bracket 2.8, 5.6 and 8.0 on the food to give the designer the choice of DOF.
Occasionally I get to shoot some fashion stuff. I love to get low and exaggerate leg length, emphasize shoes and such. Then I have the 24, 35 etc to give a normal perspective too.
Oh and building exteriors are fun at 16 too. Just rambling cause I love this lens.