yes WP... I do believe I am starting to get a clearer picture as to why focus is slower on some lenses.
THANKS!!!
yes WP... I do believe I am starting to get a clearer picture as to why focus is slower on some lenses.
THANKS!!!
I've had this <span style="text-decoration: line-through;"]argument [wait, this isn't dpreview, we can stay friendly ] discussion before. It's a fun one to have.
Now, just to muddy the waters a bit:
Originally Posted by wickerprints
Well, low light and low contrast situations. Contrast can be thought of as (brightest bright - the darkest dark) / (the brightest bright + the darkest dark). Unless you're washing out (not the situation we're concerned with), black stays black, so if you let in less light, you necessarily have less contrast in all situations. So very low light scenes are de facto low C, but a low contrast scene with plenty of light on it would also benefit from a faster lens.
Originally Posted by wickerprints
So, I think you're probably right that for various reasons (DOF, mechanical, so on) the benefit to AF from wider lenses is not linear. That is, it's not as if going wider maps perfectly to faster AF. However, whatever is functionally true with today's lenses and technology-- optically, the wider the lens the better the AF could perform. As I mentioned above, the brighter the scene, the higher the contrast ratio can be. A larger lens collects more light, so more contrast information has to be potentially available. Functionally, what this must means is that given the same camera body (the same AF settings) a faster lens has the ability to find focus on a darker or less contrasty scenes-- these would be the ones right on the edge of AF functionality. This is because those scenes, viewed through the wider lens, are brighter and consequently have a higher potential contrast for AF sensors to seek.
Originally Posted by wickerprints
No argument at all here.
LOL...I'm feeling the backlash from the last entry that was pulled from another website relating to this lens andthe query- as mentioned. I guess I'll be posting an update to that other site....thatMr. Rockwell character he has nothing on WP!...LOL!
[:P]
Canon 450D Gripped, Canon 24-105 f/4L, Canon 70-200 f/2.8L IS USM II, Sigma 10-20 EX f/4-5.6, Canon S95
“There are always two people in every picture: the photographer and the viewer.” -Ansel Adams
Originally Posted by elmo_2006
Hehe we've pretty much established how much faith we have in KR inanother thread. Kind of confirms things a bit doesn't it.
http://www.flickr.com/photos/ben_taylor_au/ www.methodicallymuddled.wordpress.com
Canon 5D Mark III | Canon 5D Mark II | Samyang 14mm f/2.8 | Canon 35mm f/1.4L USM | Sigma 85mm f/1.4 EX DG HSM |Canon 70-200mm f/2.8L IS II |Canon 2 x Teleconverter III | Canon 580 EX II Speedlite | Really Right Stuff TVC 34L | Really Right Stuff BH55 LR | Gorillapod Focus | Really Right Stuff BH 30
asmodai, I think you are mistaken; wickerprints did an excellent job explaining the situation, but I'll see if my two cents can help.
Originally Posted by asmodai
That's not how PDAF works. As wickerprints explained, the autofocus sensors can only see a certain part of the lens. No matter how much faster than f/2.8 the lens is, the contrast information available to the autofocus stays the exact same.
The only possible way for that to change is if a manufacturer somehow came out with the first ever f/1.4 or f/2 autofocus sensor. If that ever happened, it would be the only circumstance in which having lenses faster than f/2.8 makes any difference whatsoever.
Originally Posted by Daniel Browning
Ahh! I think I understand the impasse here.
So, yes. it is true. Phase detection AF sensors become available in discrete intervals based on the lens they were designed for. No wider lens makes an already accessible af sensor more accessible. No argument there.
Moving beyond that, on to the AF sensor itself, onto the photosensitive surface area. They work by discerning light patterns (contrast patterns), and bringing them into alignment with one another by moving groups in the lens. Now, any given AF point represents some area in the circle of light thrown into the camera from the lens, some fixed point. The light cast on that static photosensitive area will be MORE INTENSE given identical scenes, identical focal lengths, using the same AF points, but with a wider lens capable of collecting more light. Static area, static position, but more photons hitting that surface area. More information HAS to be available. It's unavoidable, isn't it?
And in live view / contrast detect mode, forget about it. But I can imagine we'd disagree on that =]
I am open to being proven wrong if I am, so please, if I'm making some error here, let me know
http://www.cambridgeincolour.com/tutorials/camera-autofocus.htm
This is a really, really well written description of phase detection AF, and it's dependence on contrast. And as I mentioned, as as they touch on, contrast is dependent on sufficient light being gathered by the lens.
You are conflating AF acquisition with AF precision, which are two distinct concepts. It is one thing to ask the AF system to find focus, and another to ask the AF system how precisely it has found focus. The former requires a certain level of subject contrast across the AF region (and along the direction the sensor is sensitive), but the latter requires a certain baseline separation and therefore requires a lens with an aperture of a certain minimum diameter.
As I pointed out regarding the EF 85/1.2L II, the AF sensor is not slowed down because it has to find a more precise focus--the f/2.8 sensor simply isn't capable of discerning the f/1.2 image. And by this, I mean the change in AF target sharpness at f/1.2 when the focusing group is moved within +/- 1/3 of the f/2.8 depth of focus. That's what I am trying to explain. The slowness of AF due to insufficient light (and therefore insufficient subject contrast) is an entirely different aspect to AF performance.
If you think a bit about AF precision and how it pertains to the rated sensitivity of the AF sensor points, this makes perfect sense. If an f/2.8 sensor were able to discriminate changes in sharpness at an f/1.2 "level," then the same could be said for an f/5.6 sensor. There is a reason why the system is engineered with both sensitivities. The less sensitive points are needed because the more sensitive points become useless for slow lenses, and the more sensitive points are needed because the less sensitive points are, well, less sensitive! What goes for f/2.8 vs. f/5.6 also applies to f/1.2 vs. f/2.8.
Coming back to required contrast then, this is something that is correlated to but not strictly dependent on light level. Yes, you need a certain minimum EV for the AF to operate. But if it can operate, it doesn't get more precise--nor does it get faster--the more contrast you have.
As for Live View / image sensor-based contrast AF, this is a completely different creature from the phase-detect AF. The LV AF works by direct software processing of the pixel readout in the chosen area of interest, and is therefore working at whatever maximum aperture the lens has. In other words, if you enabled LV AF with the 85/1.2L II, you could in theory obtain precise focus of the f/1.2 image--in practice, the focus precision is a function of the camera's contrast-detection software algorithm.
Originally Posted by asmodai
Not so. Here's how it works. Imagine you're inside the camera, standing on the image sensor. When you look out, you can see the entire lens aperture. At f/16, the light hitting you is not that intense. But as the f-number gets faster, you can still see the entire aperture, and the light gets brighter until you burn like an ant under a magnifying lens.
Now imagine you're standing on the autofocus sensor. There is a giant tube restricting you from seeing any part of the lens except the f/2.8 ring. At f/16 you see nothing. At f/2.8 you finally see something, but it's not that bright because it's only one part of the lens. Your not even burning at all. At f/2, it still looks the exact same, because the wider part of the aperture is completely blocked from your view. You don't notice at all when the f-number is changed to f/1.4, either.
The autofocus sensor gets light from only one part of the lens, so the intensity does not increase with faster f-numbers. Intensity only increases for the image sensor because the image sensors sees light coming from all angles of the aperture. But the autofocus sensor does not see all angles: it restricts itself to just one part of the aperture (as a necessary part of its design).
Originally Posted by Daniel Browning
Now, how does that work? I'm a very small ring of photosensitive material with my view of the world occluded by an umbrella that covers the center 2*atan(1/2*1/2.8) angle of view. (Based on what depth?) Then what happens?
As the lens approaches focus, the light from the subject is scattered less and less. Its CoC on the sensor approaches zero. At some point, an edge detail will read more strongly on my neighbor than on me. So, by peaking the difference between my neighbors and myself, the AF system determines it found focus.
That's it? No weird integration or anything? Why occlude the center at all?