Originally Posted by neuroanatomist
Thank you! I think I see a Manfrotto in my future with a ballhead for sure! I am only 5'4" so I don't need the height as much as I need for it to hold the weight of my equipment well.
Denise
Originally Posted by neuroanatomist
Thank you! I think I see a Manfrotto in my future with a ballhead for sure! I am only 5'4" so I don't need the height as much as I need for it to hold the weight of my equipment well.
Denise
Originally Posted by HiFiGuy1
Thank you for educating me, I was definitely looking at the wrong thing for my needs. The only fast moving shots I will be taking is of my dogs and a bike race occasionally. My toddler grandchildren are not quite fast moving as of yet []
Since I have quite a bit to save for, I have plenty of time to look at whats out there for good tripods, I know it will definitely be carbon fiber and I will take a look at the one you've suggested. Thanks!
Denise
I am currently saving the $$$ for tripod, flash, and 15-85mm EFS lens. (tripod at top of list)
I suggest you wait. Then get a gitzo systematic 2541 or whatnot for some ridunculous price and feel totally awesome. Don't rush.
BTW, yes, Manfrotto is good. But Gitzo :: Manfrotto = Mercedes::Ferrari.
Brendan
Originally Posted by bburns223
I definitely will wait but I don't ever see me spending quite that much on a tripod. I only spent the $$ on the 580 EX II because my internal flash was giving me problems but it was pretty pricey for me. I will definitely wait and save...and save and with any luck, maybe by the time I'm ready financially someone will be selling a nice used one. I've never in my life spent this much money on myself for a hobby and I don't think a new "Ferrari" is in my future. I just bought myself a Nissan Murano a few months ago and I love it so if I can find a tripod in that class ...I'll be happy. []
Denise
Denise,
First of all, I am flattered that you value my advice. I am also new to this hobby. I kind of made the same move that Peety3 did, too. My first tripod was an aluminum Sunpak 7500TM, which actually has a built-in monopod, but has a funky non-standard quick release plate, too. It isn't a terrible tripod, but there is a WORLD of difference between that and my new one.
If you are interested in the Manfrotto 055CXPRO3 that I mentioned, just know that it is height adjustable, and built more sturdily than the 190 series, in my opinion. Don't underestimate the value of having beefier, larger diameter legs. That is also why I chose a three segment over a four segment like the 055CXPRO4. Keep in mind that it still only weighs a couple of pounds total. Couple that with the fact that it sells for less than a 580EX II flash, and you are good to go. I actually got mine for only $360 at my local camera store, because it was an unused floor model. I don't think it had been out of the box for a month if you want to know the truth.
Anyway, I also have a Manfrotto 3047 three-axis head that I really like, and I've seen a couple on eBay go for $70-80 used. I struggled with choosing between it and an awesome (huge!) Graf StudioBall ballhead with panning and everything. That thing is large enough to support my Land Cruiser, I do believe! Anyway, for the kind of shots I want to do, I felt like only having to worry about controlling a single axis at a time was beneficial, and got some valuable advice about the possibility of a ballhead allowing the camera to flop over dangerously if you aren't careful with big lenses attached. Also, the ball head didn't have a bubble level, and the Manfrotto actually has one on two different axes. I am friends with the current owner of the StudioBall, and I'll probably end up with it, too, but I chose the 3047 first.
The advice on plates for the body and collared lenses is very sound. I have a Kirk L-plate for my Nikon D100 and a Kirk plate on my Sigma 400mm lens. The Manfrotto and the StudioBall both had corresponding QR platforms, too. You will find that Really Right Stuff, Kirk and Wimberley all have high quality pieces in this genre, and the prices are similar. Others do too, I'm sure, I just don't know about them. I haven't gotten any for my 40D yet, but that's coming soon!
Anyway, if you have any specific questions about the gear I've got, I'll be happy to discuss it with you.
Cheers,
Philip
Originally Posted by bburns223
So, that makes the RRS carbon fiber tripod the McLaren F1 of tripods? []
Using a monopod for a long exposure is
a joke. Flat out there is no monopod that can do what a good tripod
can do. Why would anyone want to use the wrong tool to do any
job?Sure a monopods better then nothing say like when your holding a 300
2.8 or 400 2.8 lens but that response was a joke. For Ehcalum to even
mention the words with experience in the same sentence that was funny. I wish I could learn how to control my shaky hands through more experience. I
just had to comment on this and back up peety3. Theres a place
for a monopod and a place for a tripod where a tripod is absolutely
an essential tool to have.
Originally Posted by freelanceshots
It wasn't that I wanted to use the wrong tool, it was being as new to this as I am, I did not realize I was considering the wrong tool for my needs until a number of extremely helpful people explained the differentpurposes for each. I will be saving for a tripod but Ehcalum's experience is paying off because in my opinion the photos posted in his profile are wonderful! Since I am just beginning, I am learning a lot about the gear I need (and don't need)from everyone on this site which is for the professional and the hobbyist like myself.
Denise
Originally Posted by ddt0725
I myself use a Manfrotto 190CXPro3 with 488RC2 ballhead. It's light to about 1.3kg + weight of the ball head and can support up to 5kg. If you won't be grabbing any lenses heavier than Canon 100-400 L and/or 70-200 f2.8L, this should be enough for you. I tried my friend's 055XPro and it's very very heavy. If you walk around a lot, the weight would put down on you. Being 5'6", my 190CX is just a bit taller than me compared to my friend's 055XPro which when fully extended, you cannot press on the shutter quite easily.
Go give it a try.
Originally Posted by ddt0725
Thanks for the props Denise. I wish you best of luck and joy with your photography.
People do not give the monopod enough credit. There are many different ways to hold a monopod, the most use way, just in front of your legs and in the center, is the least stable. I shoot sports, primarily, and wildlife. Freelance, I shoot surfing on a weekly basis in the summer with a 400 2.8 and a 500 F4 using the monopod. A tripod is not the correct tool for use on the beach with surfers, I have never seen anyone on the sidelines in a soccer game or a football game with a tripod and a 400 2.8. I shoot sports, primarily, and wildlife. I'm lucky, I can handhold a 300 f4 or a 70-200 2.8 for hours and with a steady hand, God and years of piano and the french horn gifted me the ability of strong steady hands.
I don't hate tripods, I just prefer the monopod. I have a decent tripod myself, and yes I do use it on occassion. Tripods, even carbon fiber ones will always be bulky in my opinion, and take a bit of time to setup, level. For the record, I depending on the lens, I can hand hold down to 1/5 of a second, without IS (IS is an entirely different rant of mine) [img]/cfs-file.ashx/__key/CommunityServer.Components.UserFiles/00.00.00.24.72/monopod_5F00_400.jpg[/img]