Page 1 of 2 12 LastLast
Results 1 to 10 of 15

Thread: Capturing a "Metropolis" - Fisheye

  1. #1
    Senior Member jamsus's Avatar
    Join Date
    Aug 2014
    Location
    Florence
    Posts
    539

    Capturing a "Metropolis" - Fisheye

    Hello everyone,

    if everything goes right, this winter i will visit Paris.
    I already been in France but i went on a long "camping" trip from Florence to all around France except Paris!

    Now the question about the lens: my favourite "Trip" lens actually is 18-135 IS STM, choosed for a question of price and preference for the long range instead of the classic 15-85! I'm not a big fan of the "classic" wide angle perspective, i don't like the "dramatism" of that perspective (except in some contest, particular landscapes or reportage photography) and it's just a subjective preference.

    But... Paris is Paris, and like the other metropolis it would be cool to capture the essence of that place using a Wide-angle lens, but... how can i shoot something "wide" without obtaining that "dramatic" effect that i don't like?

    Here i thought about the Fisheye.

    Pro's:
    1) The results are quietly often funny, and the mood is in line with a trip experience
    2) It is quite WIDE, obviously
    3) It is a creative lens, so probably, a funny one!
    4) I could use it also with "close" sport shoot

    Con's:
    1) Well, you capture a "creative" picture, but rarely a great picture! Distortion is strong in this one!
    2) Very particular lens

    I would like to know if any of you choose a fisheye lens for shooting in a metropolis, and also choose one for a trip!
    Mainly to capture a memory instead of using it to make "great" shoots!

    ps: for the specifity of the lens i'll probably will go with Samyang 8 f3.5 (on APS-C)

    Thanks for replies
    Dogs and cats, living together! Mass hysteria!

    Jamsus

  2. #2
    Senior Member conropl's Avatar
    Join Date
    Dec 2008
    Location
    West Michigan
    Posts
    1,466
    Rent a full frame camera (6D or 5D III depending on how much money you have), and rent or buy a TS-E 17mm f/4L. The 17mm on a full frame will be like an 11mm on a APS-C. Also, with the TS-E you can get rid of all the distortion that you would get with normal wide angle lens, and it is an excellent (sharp) lens.

    The downside of this approach... the TS-E has a learning curve:
    1. It is manual focus only (but I believe the Samyang you reference is manual focus also).
    2. You need time to figure out how to use it and adjust it to get rid of the distortion.
    3. It is not weather resistant (but neither is you other lens you reference)


    If you go this route, then rent it for some extra time before you leave so you have time to figure out the lens and camera together.

    Pat
    5DS R, 1D X, 7D, Sigma 10-20mm f/4-5.6, 24mm f/1.4L II, 16-35mm f/4L IS, 24-105mm f/4L, 50mm f/1.8, 100mm Macro f/2.8L, 70-200mm f/2.8L IS II, 100-400mm f/4.5-5.6L, 580EX-II
    flickr

  3. #3
    Senior Member jamsus's Avatar
    Join Date
    Aug 2014
    Location
    Florence
    Posts
    539
    Quote Originally Posted by conropl View Post
    Rent a full frame camera (6D or 5D III depending on how much money you have), and rent or buy a TS-E 17mm f/4L.
    Pat
    Thank you for your suggestions!

    Unluckly, for this year (and for a discrete amount of time) my money - not too much - went invested in the new 100-400 L IS USM II which i use really more often!

    The TS lens is really magnificent, but is really far away from my reach !
    Dogs and cats, living together! Mass hysteria!

    Jamsus

  4. #4
    Senior Member conropl's Avatar
    Join Date
    Dec 2008
    Location
    West Michigan
    Posts
    1,466
    That is the same situation for me. That is, I would love to have one, but cannot justify the cost yet.

    In that case, you are going to have to live with some distortion, and learn to compose the shot to reduce it.

    By the way, renting a TS-E 17 here in the U.S. is $84 for 4 days. And a 6D is $59 for 4 days.
    5DS R, 1D X, 7D, Sigma 10-20mm f/4-5.6, 24mm f/1.4L II, 16-35mm f/4L IS, 24-105mm f/4L, 50mm f/1.8, 100mm Macro f/2.8L, 70-200mm f/2.8L IS II, 100-400mm f/4.5-5.6L, 580EX-II
    flickr

  5. #5
    Senior Member jamsus's Avatar
    Join Date
    Aug 2014
    Location
    Florence
    Posts
    539
    Quote Originally Posted by conropl View Post
    That is the same situation for me. That is, I would love to have one, but cannot justify the cost yet.

    In that case, you are going to have to live with some distortion, and learn to compose the shot to reduce it.

    By the way, renting a TS-E 17 here in the U.S. is $84 for 4 days. And a 6D is $59 for 4 days.
    I'm not sure to stay confortable visiting a big city like that with 4k rented material !

    My doubt on the fisheye was if with that distortion, all pictures will looks the same... but if i choose the Fisheye lens... i'll stay with that distortion, for other things i can use the 18-135 without problems
    Dogs and cats, living together! Mass hysteria!

    Jamsus

  6. #6
    Senior Member
    Join Date
    Dec 2008
    Posts
    1,156
    Then rent an EF-S 10-18 or 10-22. Some distortion, no doubt, but not a lot, and you're not stuck with the fisheye effect.
    We're a Canon/Profoto family: five cameras, sixteen lenses, fifteen Profoto lights, too many modifiers.

  7. #7
    Senior Member conropl's Avatar
    Join Date
    Dec 2008
    Location
    West Michigan
    Posts
    1,466
    Quote Originally Posted by peety3 View Post
    Then rent an EF-S 10-18 or 10-22. Some distortion, no doubt, but not a lot, and you're not stuck with the fisheye effect.
    +1

    I carried a 10-22 Sigma on a 7D around London, and it worked out OK. The Canon offerings are better though.
    5DS R, 1D X, 7D, Sigma 10-20mm f/4-5.6, 24mm f/1.4L II, 16-35mm f/4L IS, 24-105mm f/4L, 50mm f/1.8, 100mm Macro f/2.8L, 70-200mm f/2.8L IS II, 100-400mm f/4.5-5.6L, 580EX-II
    flickr

  8. #8
    Member Poik's Avatar
    Join Date
    Oct 2012
    Location
    Göteborg, Sweden
    Posts
    98
    Yeah I will also say that the Canon 10-22 is a good rectilinear UWA lens, and I really like mine. If the fisheye effect is what you want to avoid, then this is definitely an option you should consider.

    If you want to save weight, shooting multiple exposures at 18mm with your 18-135 and then stitching together in Lightroom afterwards will give you a large field of view and a nice high resolution image. But the 10-22 is a pretty lightweight lens as well!
    - Eric
    Canon 7D, 70-200 f/2.8 II, 17-55 f/2.8, 10-22mm f/3.5-4.5, 100mm f/2.8 Macro, 50mm f/1.8 II, 28-135mm f/3.5-5.6, 2x III, 430EX II
    flickr.com/ericolsson

  9. #9
    Senior Member jamsus's Avatar
    Join Date
    Aug 2014
    Location
    Florence
    Posts
    539
    The doubt indeed is that: i'm not disturbed by fisheye, but it is anyway a really particular effect. I like the "mood" of it, it suits well with the idea of a trip, but is not what you want if you are trying to capture a really good photo. Maybe you obtain a funny one, but not a really good one.

    The point is that every corner of Paris has been photographed so the fisheye could help me to capture some "funny\strange" perspective moments, and for everything else the 18-135 would suit perfectly!

    The 10-18 or 10-22 are a bit too "dramatic" and i usually prefer to use the 10-18 in a natural contest, not a urban one (just personal preference)!

    I will try to "test" a Samyang 8mm before the end of the year and then post some impression

    Thank you everyone!
    Dogs and cats, living together! Mass hysteria!

    Jamsus

  10. #10
    Super Moderator Kayaker72's Avatar
    Join Date
    Dec 2008
    Location
    New Hampshire, USA
    Posts
    5,665
    jamsus,

    Great city to photograph. How long will you be there? What type of shots are you trying to get? I was in Paris for work this past March and added a few days with my wife before hand. Using the 5DIII, by far, most of my shots were taken with my general purpose zoom (24-70 II). It was too the point where if you wanted to travel light and take typically tourist photos, you could potentially just walk around with the one lens. My second most used lens was the Rokinon 14 mm f/2.8. This was needed for closer shots of the Arc De Triumph and Eiffel tower. Then a few shots were taken with my 70-200 II. These were mostly from Sacre Couer or top of Montparnasse, trying to zoom in on specific landmarks. But the vast majority were taken with the 24-70 mm.

    You might do very well with your general purpose zoom and your 100-400II (only for a few shots). As others have said, you could rent a EFS 10-18 or 10-22. The other lens I would encourage you to consider would be a fast prime for night street photography. I brought my 50 mm prime...but, honestly, never used it. But, I could see a faster prime being useful for night street photography and, potentially, inside cathedrals as I used f/2.8 and pushed my ISO on my 5DIII in those instances.

    If you scroll through my flickr account, you will see several of my favorite shots.

    Great place....enjoy,
    Brant

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •