Just out of curiosity, why are you looking for a new version of the 85L? What needs improving? It is a lens I have been contemplating, and it sounds like most are very pleased with it. Looking at shots taken with it... it seems to be a lens that produces real interesting results.
The 50 1.2 L I understand it is not the sharpest... which could be improved (but some users would disagree with that and think it is part of the look it produces). But other than slow focus on the 85L, I have not read much bad about it.
Just wondering what your thoughts are on it.
Beautiful shot above, by the way. You do an excellent job and can get a lot out of what you have (probably more than your typical competition). There is no real compelling reason for you to upgrade given your current results. However, maybe a FF may allow you to push your creativity a little further than the crop body. I think that would be the business decision here, and the FF may help give a slight edge to separate you from the competition and compete at a higher level.
Good luck
Pat
Last edited by conropl; 09-09-2016 at 06:10 PM.
5DS R, 1D X, 7D, Sigma 10-20mm f/4-5.6, 24mm f/1.4L II, 16-35mm f/4L IS, 24-105mm f/4L, 50mm f/1.8, 100mm Macro f/2.8L, 70-200mm f/2.8L IS II, 100-400mm f/4.5-5.6L, 580EX-II
flickr
As hinted in my other reply above, I want to ask these same questions: what on earth is so bad about the 50/1.2L or the 85/1.2LII? We've had an 85/1.2 II for about 2.5 years, and my only complaints would be the sheer size and weight: it forces a distinct caution when using, and only works in limited slots in my bag. We added a 50/1.2L and a 135/2L in March, and I find both to be absolutely fantastic. Since both are lighter and easier to hold than the 85L, they seem to get more use than the 85 does (at least for me...maybe it's the novelty of new lenses?).
We're a Canon/Profoto family: five cameras, sixteen lenses, fifteen Profoto lights, too many modifiers.