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Thread: Normal and Expected? or Problem Lens

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  1. #1
    Senior Member
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    Dec 2008
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    Re: Normal and Expected? or Problem Lens



    Oh, okay, I see what you're saying - I've got a bad lens here, that's all there is to it. I should go to B&H and demand my money back, or send it off to Canon for recalibration. Like you said, if I'd bought the 10-22 I wouldn't have to deal with this problem.


    (!)


    No. But seriously wick - thanks for the explanation. I thought I "knew" about the effect you describe, but I haven't seen it so pronounced until yesterday. Everything I've shot with the 17-40 up till now has been true landscapes, focused at infinity and without any buildings nearby. I'm guessing that's why I haven't noticed much of this "distortion" before.


    So perspective distortion will appear stronger the more you raise the lens (shoot upward). To minimize the effect (besides using a tilt/shift) you can keep the camera level. Is there anything else?


    Thanks again wicker - and thanks everybody for the comments, I really appreciate it.

  2. #2
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    Re: Normal and Expected? or Problem Lens



    Quote Originally Posted by canoli


    So perspective distortion will appear stronger the more you raise the lens (shoot upward). To minimize the effect (besides using a tilt/shift) you can keep the camera level. Is there anything else?


    Keep the camera level. I was in Philly two months ago, and my girlfriend was shooting City Hall. I told her to aim at a point about 4'9" above the ground (rough estimate of her eye level). "But we'll have lots of street, and that's not what I want!" "I know dear, but we can crop that out." We ended up walking back a block or two so the top half of the frame could capture the entire building.


    And don't forget to LOOK at what you're shooting, from your shooting position. A tilt/shift lens can correct the perspective distortion, but you'll still have the view from that point. If there's a balcony and a cool door leading to the balcony, you won't see the door at all shooting from too close to the building.
    We're a Canon/Profoto family: five cameras, sixteen lenses, fifteen Profoto lights, too many modifiers.

  3. #3
    Senior Member
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    Dec 2008
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    505

    Re: Normal and Expected? or Problem Lens



    canoli,


    Not only hold the camera level to the horizon but purchase PTLens. It's a fantastic little program or PS plugin.


    Wait till you see the perspective distortion with that lens on a full frame. Or when you shoot with a 10-22 @10mm on APS-C, thoughthat lensappears to bevery rectilinear based on one of the examples Sean S. was showing. Yeah, photozone.deillustrates very wellthe barrel and pincushion distortion for most commom wide angle lenses.

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